Composition exploring timbre textures by panning groups of sound sources very quickly. Implemented in 3rd order ambisonics, with 400 point sources.

A recording of fluorescent lights being flicked on and off, processed by 3600 granular voices spread evenly over a square kilometre. Granulation of multiple point sources is used to help synthesise the impression of apparent sound source size.

The first movement in a series of works exploring the effect of distance on a sound's spectral character. The drum sample is taken from a recording of drummer Tim O`Driscoll

Rutter wrote this setting with clarinet solo of Psalm 27, "The Lord is my light and my salvation", for a friend who had just been diagnosed with AIDS, and was finding the words a comfort. This performance is by the Cherwell Singers, in the chapel of Exeter College, Oxford.

This track is from my recording of a concert called "Unheard Voices 2" in the Assembly Hall at Walthamstow Town Hall, London - a well-known recording venue. Vocal and percussion groups from a number of local schools were arranged around the walls of the hall, and there were a handful of professional instrumentalists in front of the microphone, with the director (playing the keyboard and leading the singing) behind, and the audience - entirely families, of course! - behind him. My brief was to produce a stereo recording for use the next day during an associated art exhibition, so I simply made a UHJ encoding of the surround recording - which they were delighted with; but you get the full surround version.